Director: Michael Ritchie (Smile)
Writer: James Salter
Stars: Robert Redford, Gene Hackman, Camilla Sparv
The Story: A handsome but angry small-town ski-bum gets elevated to the US downhill team, and quickly proves to be the best, even though he’s not a team player. The coach soon realizes that he has little choice other than to let this superstar set the rules.
How it Came to be Underrated: Redford, Hackman and Ritchie were all about to have a great decade in the ‘70s, but this movie was a little ahead of its time. America was just learning to love movies that cast a jaundiced eye on national glory. The studio dumped it, which caused Redford to start thinking about creating a better way to find an audience for anti-Hollywood movies...
Why It’s Great:
- We’ve all seen movies in which impossibly handsome actors inexplicably play lovelorn everyman underdogs. Redford was never interested in all that. He knew that he looked like a golden god, and he preferred to play characters who knew it too. Since his looks were so appealing, he figured he could be more hard-edged than other actors without losing the audience. From this point on in his career, he stopped asking to be liked (but he didn’t look down on his characters either).
- Redford had the original idea for the movie, then hired Salter and Ritchie, whose styles matched his vision. He had gotten sick of hearing that it doesn’t matter if you win or lose but only how you play the game. He had seen his whole life that it wasn’t true and he wanted to make a movie that showed the truth about winners.
- It’s the tragic paradox of all competition: who becomes the best? Those for whom nothing is ever good enough. Of course this means that being the best can’t make them happy either. The only way to get the big brass ring is lose all of your appreciation for it.
- As with Kind Hearts and Coronets and “The Sopranos” they get us to sympathize with a bad man by giving him an infuriatingly disapproving parent. His father asks “What do you do it for?” Redford responds, “To be a champion”. His father sneers, “The world’s full of them”. Still, given how heartless Redford is, you have to wonder is he’s a jerk because his father hates him or if his father just hates him because he’s a jerk.
- These days “realism” in movies is a synonym for “dreariness”. But in 1969, after years of bland technicolor epics, it meant the opposite: fast, raw, and thrilling, freed from heavy cameras, heavy make-up, and heavy-handed dramatics. They understood you could be brutally honest and still be fast-paced. Redford’s first descent, shot from his point of view, is absolutely breath-taking.
If You Like This, You Should Also Check Out: Redford and Ritchie reteamed for an equally good follow up about the price of winning, The Candidate. Another great underrated Hackman film from around this time is Scarecrow, if you can find it.
How Available Is It?: There’s an excellent Critierion DVD with long interviews with Redford, Ritchie and Salter.