- Are they qualified? (Q)
- Are they on the job? (OtJ)
- Are they in their element? (ItE)
I made this handy chart, and gave a name to each type. But, as you’ll see, I ended up with a pretty useless category (No. 7), and then I decided that I had to break the last category up into two. These are the heroes who have nothing: no qualifications, they aren’t on the job, and they aren’t in their element. But, as I realized last week, some heroes in that situation find that they can adapt the skill from another job to succeed in their new environment, while some just have to muddle by, so I split those off:
1: The Pro At Work:
- Most qualified person who is doing their job in their element:
- Example: Hackman in The French Connection, Buster Keaton in The General, Bogart in The Maltese Falcon, Cooper in High Noon, Weaver in Alien, Nicholson in Chinatown, Dirty Harry, Indiana Jones, the reporters in All the President’s Men, the con men in The Sting and Ocean’s 11, most James Bond movies, Bullitt, the Magnificent Seven, most Batman movies, Matthau in The Taking of Pelham 123 and Charley Varrick, Ford in Blade Runner, Speed, Neil in Jurassic Park, Woody in the Toy Story movies. Even people who oppose their own boss, like Field in Norma Rae or Douglas in Seven Days in May fall into this category. They consider it part of their job to save their workplace from their boss.
2. The Fish Out of Water:
- Qualified and on the job, but out of their element:
- Examples: Eastwood in Coogan’s Bluff, Poitier in In the Heat of the Night and Shoot to Kill, Sinatra in The Manchurian Candidate, Hackman in The French Connection 2, Stallone in Demolition Man, Douglas in Black Rain, Schwarzenegger in Kindergarten Cop…
3. The Well-Trained Rookie:
- On the job and in their element but not yet qualified, then suddenly asked to compete at a higher level than they are prepared for yet:
- Examples: Pacino in The Godfather, Foster in Silence of the Lambs, Batman in Batman Begins, Bond in Casino Royale, Sheen in Wall Street, Fonda in The China Syndrome, Buffy Summers…
4. The Rogue:
- Qualified and in their element but off the job, usually trying to get their old job or position back:
- Examples: Robin Hood, Zorro, Depp in POTC, the prisoners in The Great Escape, Sheen in Terminal Velocity, Douglas in Romancing the Stone, Jason Bourne…
5. The Exile:
- Qualified but off the job and out of their element:
- Examples: Willis in Die Hard, Ford in Witness, Ladd in Shane, Douglas in Spartacus, Bacon in Footloose, the Rock in The Scorpion King…
6. The Flounderer:
- On the job, but unqualified and out of their element. They took the job rashly, got in over their head, and now they have to cope with few skills:
- Examples: Heston in Planet of the Apes, Stewart in Vertigo, Scheider in Jaws, Spider-Man, Iron Man, Kaye in The Court Jester, Hawke in Training Day, Sheen in Platoon
7. The Heckler?:
- This was the one dubious category generated by the chart. I'm not sure it even exists. Who would be unqualified, and off the job, but nevertheless in their element?
- My wife pointed out that this would describe Ignatius Riley in the novel “A Confederacy of Dunces”? Would it describe the Dude in The Big Liebowski?
8. The Adapter:
- Unqualified, off the job, out of their element …but willing to learn quickly because they are able to find new applications for skills they learned for other jobs.
- Examples: Luke in Star Wars, Fox in Back to the Future, Fonda in 12 Angry Men, Reynolds and Voigt in Deliverance, Reeves in The Matrix, Bloom in POTC, Ford in The Fugitive, McAdams in Red Eye, Morton in Brother From Another Planet, Stewart in Rear Window, Grant in North by Northwest,or is he worst possible?
9. The Worst Possible Pick
- This is their idea of hell. This is the true zero to hero: They’re unqualified, it’s not their job, they’re out of their element, and they aren’t even able to use transfer any of their skills over from another job. How on Earth do these people succeed? We’ll investigate soon...
- Example: Hamilton in the original Terminator, Lloyd in Safety Last, Keaton in The Navigator, Chaplin in The Gold Rush, Hepburn in Wait Until Dark, Curtis in Halloween, Douglas in Fatal Attraction, Granger in Strangers on a Train, Shaggy in Scooby Doo, Scott in The Spanish Prisoner, Dreyfuss in Close Encounters, MacLachlan in Blue Velvet (the only one I can think of who enters his idea of hell voluntarily)
What do you think? Are any of these in the wrong category? Feel free to disagree. For that matter, are these categories useful? I don’t want to imply that some of these types are more legitimate than others. Quite to the contrary, now that everybody has their place, I see that each can work, even category 9, which I spent so much time maligning last week. I’ll discuss some of the categories in more detail this week, but first I need to determine if they actually cover every type of hero. I can think of two types that mess things up a little, so that’s tomorrow...